Helmed by Portishead co-founder Geoff Barrow, this scabrous though slight first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one important plot development, but it leads to a comically executed rampage on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in British and Irish cinemas from 17 November.
